Published on October 26th, 2012 | by greg0
Daughn Gibson Heading Out on Tour This Fall!
Sub Pop signee Daughn Gibson is playing a little more than a handful of dates scattered across the Midwest and the South. If you get a chance to see him, say hello.
Oct. 29 – Chicago, IL – The Empty Bottle
Oct. 31 – St Louis, MO – Apop Records
Nov. 01 – Lawrence, KS – Replay Lounge
Nov. 03 – Austin, TX – Fun Fun Fun Fest
Nov. 04 – Austin, TX – Fun Fun Fun Fest
Nov. 05 – New Orleans, LA – Siberia
Nov. 06 – Oxford, MS – Lamar Lounge
Nov. 07 – Atlanta, GA – The Earl (w/ Earth)
Daughn Gibson’s debut album, All Hell, earned praise from Pitchfork, SPIN, FILTER, Austin Chronicle, Baltimore City Paper, Philadelphia Weekly, San Francisco Bay Guardian, Brooklyn Vegan, Tiny Mix Tapes, The Needle Drop, and more. All Hell is out now on White Denim Records.
Pitchfork included All Hell in its “Overlooked Albums of 2012″ feature, and said: “Gibson’s excellent debut heavily relies on crackly samples of old country and Christian gospel records, and he borrows from those musical forms’ history of storytelling, too, a narrative gift most directly channeled on the father-daughter-episode-of-”COPS” lament “Tiffany Lou.” None of these elements would carry as much haunting emotional resonance without the presence of Gibson’s voice, a deep, cavernous instrument that draws flashpoint comparisons in sound to both Scott Walker and James Blake. More than anything, Gibson’s debut sounds warm, fully realized, and lived-in. It’s as if he’s been doing this for years, and it inspires hope that he continues to do so for years to come.”
Meanwhile SPIN included All Hell in their “40 Best Albums of the Year…So Far.” SPIN says, “On his solo debut, All Hell, he’s able to work all sorts of dark magic, uncovering a lonesome, nocturnal space that’s shared by tears-in-your-beer, end-of-the-world jukebox country and sample-based, post-Burial electronic pop. He’s a honky-tonk spaceman who, at one time, earned his daily wage as a truck driver. He sounds like it.”